Poltergeist, A Nightmare on Elm Street and Psycho: what do they have in common? All three are terrifying benchmarks on the horror genre, I agree. More specifically, though, they are all three American films. The United States has been the frontrunner for mainstream horror for decades, but other countries are not to be overlooked. International horror films present a whole new light on the genre; different motifs and interpretations, as well as different ideas to scare the audience. The mainstream horror fan may not be aware at the vast amounts of quality horror outde of the American borders and that kind of horror fan is seriously misng out. In this article I will detail just a few of my favorite horror films, old and new, from around the world.
FINLAND
One of my favorite foreign films recently released is Rare Exports: A Christmas Tale. This is a low budget film from Finland that was released in January of 2011 in the United States for a short-lived limited theatrical release. For the most part, this was a direct-to-Blu-ray film. The synops, without giving away the finish, is about the dark legend of Santa in Finland and how the locals try to capture this killer Claus in order to turn profit. I had heard good things about this movie and I greatly anticipated the release of it. The trailer alone sold me on the film.

NEW ZEALAND
A cult clasc from New Zealand that I think everyone needs to see is Dead Alive. This is a 1992 film directed by Peter Jackson. Yes, that Peter Jackson. Two other notable horror titles that the Lord of the Rings director is credited for are Bad Taste and The Frighteners. To be honest, I was always put off by the cover art for Dead Alive, and I had a hard time believing the quote that follows this movie around: “The goriest fright film of all time.” That being said, once I gave it a shot, I really enjoyed the over-the-top gore (which ends up being humorous) and its good story. I am a big fan of horror comedies like Frankenhooker, House, and the Re-Animator series, and Dead Alive falls right in line with them.

FRANCE
All of this gore talk has me leaning toward a discuson on two fantastic films from France: Martyrs and High Tenon. As one of “those horror fans,” I enjoyed both of these films immediately, but the general audience really needs to be prepared for some of the most disturbing images ever seen in modern horror. It is not uncommon for films this gory to be discarded by the mainstream fan because violence of this magnitude can overshadow a good story. However, that would be a tragedy for these two movies. Briefly, Martyrs (2008) is a film about two friends who try to escape spiritual extremists. High Tenon (2003) is a home invaon massacre with a twist, which I will not ruin for you. For ck and twisted images with mind-blowing stories, the French are really hard to compete with.

SWEDEN
The United States recently remade the Swedish film Let the Right One In. While the remake was decent, it still pales in comparison to the original from 2008. Let the Right One In is a film about a neglected little boy who makes friends with a new girl next door. This little girl turns out to be an old vampire who has gone through extreme measures to stay alive. While the pacing of this film is slow at times, the story is solid and it gets very intense. Let the Right One In has won multiple awards at film festivals worldwide.

SPAIN
2007 was a tremendous year for Spain, putting out two top-quality horror films in REC and The Orphanage. REC was recently remade for American audiences and re-titled Quarantine. It’s the story of a zombie epidemic and the tenants of an apartment complex being quarantined to their building. The Orphanage is the story of a woman’s experiences who buys a haunted house which used to be an old orphanage. The Orphanage is a unique story with plenty of scare. Mainstream horror fans may be familiar with the director, Guillermo Del Toro; he directed Pan’s Labyrinth and the recent remake of Don’t Be Afraid of the Dark.

CANADA
Canadian film makers have recently been stepping up to the plate and giving up some quality horror. In 2007, Robert Englund starred in the Canadian horror-comedy Jack Brooks: Monster Slayer. Although this movie didn’t get the best reviews, the overall visual production and special effects were top notch. However, I think this movies biggest downfall is its DVD cover art. Had I not know about this film before I saw it, the overly-cheesy and slightly-redneck cover would have definitely deterred me from purchang it. Next, the most unlikely candidate to bust into mainstream horror genre: the gritty Hobo with a Shotgun, which stars Rutger Hauer. Hobo with a Shotgun is based on the fan-made trailer that won the Robert Rodriguez South by Southwest Grindhouse trailers contest. Not only was this over-the-top film released on Blu-ray, it was also released through outlets such as Wal-Mart and Target. O Canada!

GERMANY
I couldn’t do a whole series of foreign horror movies with impact without talking about the 1922 film Nosferatu. This movie is rich with interesting de stories, such as how Max Schreck prepared himself to play the iconic Count Orlok (film-scholars have joked for years that Schreck was actually a vampire) or how the family of Bram Stoker would not give the producers of Nosferatu rights to parallel Stoker’s Dracula. As a fan of horror, be advised this is a lent black and white film. However, if you haven’t seen it, try to give it a shot at least one time. It’s like a rite of passage.

ENGLAND
No foreign film article would be complete without talking about at least one movie from the London-based Hammer Film Productions. Between the 1950s and the 1970s, Hammer really owned the horror market as they had partnered with Warner Bros., pumping out dozens of popular horror titles such as Dracula and The Mummy, alongde more obscure titles such as The Revenge of Frankenstein and The Gorgon. If you haven’t experienced Hammer films, you should expect to see solid stories with plenty of gothic imagery throughout. Most Hammer films are slow and methodical in their plot delivery, but the payoff is more often than not worthwhile for the audience.

ITALY
Last, but definitely not least, is the Italian horror genre, which was mainly created by the directorial geniuses Dario Argento and Lucio Fulci. Between the two, they have directed dozens of titles that are condered clascs today, such as Demons, Zombie, Phenomena, Cat in the Brain, and Inferno. Experiencing Italian horror is unlike any other film from any other country. Argento and Fulci pushed out their films to be noticed for their imagery and not necessarily for their plot. I will be honest, Italian horror is an acquired taste, but the films are definitely worth experiencing.

For those mainstream fans who think horror is dead, I feel it’s time for you to expand your horizons and feast upon what other countries have to offer. From Canada to Germany to Japan (which is a whole wild experience and entire article in itself), horror is alive and well … you just need to know where to look.Mike Kinney is the redent horror fan of HalloweenCostumes.com, an online company that sells gruesomely scary costumes, from zombie to Freddy.
After researching for this article, Mike’s Netflix queue is a little out of control.